Popular Screen Cultures and Genre

Aldana Reyes, X. (2020) ‘Abjection and Body Horror.’ In Bloom, C. (ed.) The Palgrave Handbook of Contemporary Gothic. Basingstoke: Palgrave Macmillan, pp. 393-410.

Aldana Reyes, X. (2014) Body Gothic: Corporeal Transgression in Contemporary Literature and Horror Film. Cardiff: University of Wales Press.

Aldana Reyes, X. (2019) ‘Contemporary Zombies.’ Twenty-First-Century Gothic: An Edinburgh Companion. Edinburgh: Edinburgh University Press, pp. 89-101.

Aldana Reyes, X. (2018) ‘Guillermo del Toro’s The Devil’s Backbone and Pan’s Labyrinth: Studies in the Horror Film’, book review for Gothic Studies.

Aldana Reyes, X. (2016) Horror Film and Affect: Towards a Corporeal Model of Viewership. London and New York: Routledge.

Aldana Reyes, X. (2015) ‘Reel Evil: A Critical Reassessment of Found Footage Horror.’ Gothic Studies, 17(2) pp. 122-136.

Aldana Reyes, X. (2013) ‘Skin Deep? Surgical Horror and the Impossibility of Becoming Woman in Almodóvar’s The Skin I Live In.’ Bulletin of Hispanic Studies, 90(7) pp. 819-834.

Aldana Reyes, X. (2024) ‘Spanish Vampire Films.’ The Palgrave Handbook of the Vampire. Springer International Publishing, pp. 679-696.

Carter, M. (2014) Myth of the Western: New Perspectives on Hollywood’s Frontier Narrative. Edinburgh University Press.

Chambers, A. (2023) ‘Contagion went viral: microbiology, entertainment media and the public understanding of science.’ Current Clinical Microbiology Reports, 10(3) pp. 152-160.

Chambers, A. (2024) ‘Fertile Feminist Futures?: Artificial gestation, forced insemination, and women directors of SF.’ In Reproduction and Speculative Cultures Conference. Lancaster University, 24/10/2024 – 24/10/2024.

Chambers, A. (2019) ‘From Sacred to Scientific: Epic Religion, Spectacular Science and Charlton Heston’s SF Cinema.’ Science Fiction Film and Television, 12(3) pp. 303-322.

Chambers, A., Iossifidis, M., Verran, J., Garforth, L. (2025) Reading Science/Fiction: Practices, Pleasures and Publics. Palgrave.

Chambers, A. (2018) ‘‘‘Somewhere between science and superstition’: Religious Outrage, Horrific Science, and The Exorcist’.’ In History of Science, Technology & Medicine Ireland. Queen’s University Belfast, 19/10/2018 – 20/10/2018.

Chambers, A. (2020) ‘The (re)birth of pregnancy horror in Alice Lowe’s Prevenge.’ In Peirse, A. (ed.) Women Make Horror: Filmmaking, Feminism, Genre. Rutgers University Press,

Chambers, A.C. (2024) ‘Virological Vampires.’ The Palgrave Handbook of the Vampire. Springer International Publishing, pp. 1709-1728.

Chambers, A. (2024) ‘Who (re)Produces the Future?: Ectogenesis, Exosolar Survival, and Women Directors of Science-based Fiction.’ In UCL STS Research Seminar. University College London, 27/11/2024 – 27/11/2024.

Chambers, A. (2021) ‘“You’re more likely to see an alien than an Asian woman”: Onscreen diversity versus intersectional systemic decolonisation in Science/Fiction Television.’ Virtual,

Fairclough-Isaacs, K., 2014. ‘Documentary’s awkward turn: cringe comedy and media spectatorship, by Jason Middleton, Comedy Studies, 5 (2), pp. 207-208.

Halligan, B., Fairclough-Isaacs, K., Edgar, R., Spelman, N., 2016. ‘The Arena Concert Music, Media and Mass Entertainment’, Bloomsbury Academic.

Halligan, B., Edgar, R., Fairclough-Isaacs, K., 2013. ‘The Music Documentary Acid Rock to Electropop’, Routledge.

Herrero, C. (2010) ‘Edgy art cinema: cinephilia and genre negotiations in recent Spanish rural thrillers.’ Studies in European Cinema, 7(2) pp. 123-134.

Herrero, C. (2014) ‘Hybrid Models: Auteurism and Genre in Contemporary Spanish Crime Thrillers.’ In Camet, F., Wheeler, D. (ed.) (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema. London: Intellect, pp. 351-364.

Ilott, S.E. (2018) ‘“How is these kids meant to make it out the ghetto now?” Community cohesion and communities of laughter in British multicultural comedy.’ Journal of Commonwealth Literature, 53(2) pp. 211-222.

Ní Fhlainn, S. (2017) ‘Book Review: The Shining: Studies in the Horror Film.’ Horror Studies, 8(1) pp.165-167.

Ní Fhlainn, S. (2015) ‘“‘You keep telling yourself what you know, but what do you believe?’: Cultural Spin, Puzzle Films and Mind Games in the cinema of Christopher Nolan”. (Extracted Version).’ In BAFTSS – British Association of Film, Television and Screen Studies. Manchester, UK, 16/4/2015 – 18/4/2015.

Reyes, X.A. (2014) ‘Beyond psychoanalysis: Post-millennial horror film and affect theory.’ Horror Studies, 3(2) pp. 243-261.